BMPCC4K Tips: The Difference Between Constant Bitrate and Constant Quality
In this write-up, we take a look at the new encoding options that come with Blackmagic RAW: constant bitrate and constant quality. Earlier this year, Blackmagic Design retired the CinemaDNG format from their camera line (not you, URSA Mini 4.6K) and replaced it with Blackmagic RAW. The new codec offers some exciting features to the BMD…
This story was produced through MarketScale. See how Architecture & Design teams put it to work with Executive Thought Leadership.
Get featured
Want to get featured in MarketScale Architecture & Design?
Create a free MarketScale workspace and get your company's expertise featured across our Architecture & Design coverage. No credit card, no demo required.
In this write-up, we take a look at the new encoding options that come with Blackmagic RAW: constant bitrate and constant quality.
Earlier this year, Blackmagic Design retired the CinemaDNG format from their camera line (not you, URSA Mini 4.6K) and replaced it with Blackmagic RAW. The new codec offers some exciting features to the BMD camera lineup. We’ll look at the specifics at a later date; however, Constant Bitrate offers four encoding options: 3:1, 5:1, 8:1, and 12:1. And Constant Quality offers two quality settings: Q0 and Q5. What do these new settings mean? Let’s take a look.
Read more at Premium Beat
Your experts belong here
Every story in MarketScale Architecture & Design starts with a company putting its architects, designers, and spec writers on the record. Buyers are already reading this topic. The only question is whose experts they find.
Specifiers choose partners whose work they have already seen explained, and your designers can be that explanation.
