Skip to content
‹ Back to IndustriesProfessional AV

Breaking Out of the Post-Production Workflow Silo

As the adage goes, “if it ain’t broke, don’t fix it.” However, while this may apply to things like cars or dishwashers, sometimes there are better ways of doing things, and we simply can’t see them. In many industries, this aversion to change and communication is called a silo mentality, and in the production and…

This story was produced through MarketScale. See how Professional AV teams put it to work with Customer Stories & Case Studies.

·
Share
Breaking Out of the Post-Production Workflow Silo

Free workspace

Turn your Professional AV expertise into content.

Record interviews, organize footage, and write with AI on a free trial of the MarketScale platform for qualifying companies. No demo required, no credit card.

Try it Free

As the adage goes, “if it ain’t broke, don’t fix it.” However, while this may apply to things like cars or dishwashers, sometimes there are better ways of doing things, and we simply can’t see them. In many industries, this aversion to change and communication is called a silo mentality, and in the production and post-production industries, this is most obvious when it comes to workflows.

Fear of Change & Unknown Potential

Every professional, no matter the industry, has a particular workflow. Creatives rely on specific tools and platforms which, over time, create creatures of habit who are loath to change their familiar flow. From a financial standpoint, there is also the risk factor. No CFO wants to get in trouble or worse, fired, for trying something new that doesn’t work out, costing their company thousands or even millions of dollars. Even tech companies, creators of cutting-edge technology, are afraid to implement new tech because of the perceived high risk of failure. For post-producers working on high-budget media projects, the stakes may seem even higher. In essence, many professional industries are frozen in time by the “fear factor” of change, unwilling to fix something that doesn’t seem broken.

This fear factor is present in the world of production and post-production but does not act alone in preventing improving processes. With so many new technology leaps, keeping up to date on all changes can be difficult, whereby many professionals are unaware of recent technological and software developments that allow for video files to be changed and manipulated without needing a brand-new render each time.

More Power and Efficiency = New Business Model

New technology typically leads companies to have to review their business model, re-allocating resources and investing in Technology. Although change is ultimately unstoppable preparing for this is normally a difficult path and has lead to the success as well as failure of many companies.

Cinedeck has tried to bring about this new change by fitting within existing environments ,therefore, minimizing financial investment but bringing giant leaps in time saving and workflow efficiencies. All of which allow existing resources to work more profitably.

Here is an instance where change is good and healthy, whereas workflow silos can lead to stagnation and a less efficient process. Insert Edit is a patent-pending tool from Cindedeck to edit and manipulate material in files that have already been exported rather than re-rendering for every new change. Cinedeck brings a dynamic new approach, offering game-changing Insert Edit technology that is highly disruptive to the vast majority of production and post-production workflow silos.

Success Through Education

Cinedeck is taking a two-pronged approach to breaking down post-production workflow silos, built on unknown and fear of change factors. We are investing in outreach and education to young editors who have no experience with InsertEdit, but who haven’t yet entered a workflow silo. Without years of an ingrained process, they are much more likely to see the empowering benefits of a faster, more efficient editing process that can save them hours or even days on their projects.

End-Users See Savings

On the other front, end-users are seeing the efficiency and cost saving benefits of InsertEdit. Much of cineXtools’ success has come not from postproduction professionals, but from end users and major studios like BBC, Showtime, and HBO. These media giants are keenly interested in the potential for Insert Edit technology to save them both time in the production process and money on editing hours.

There is a faster, more efficient option to the old, inefficient workflows that many post-production professionals continue to use. It just takes a bit of courage, and a genuinely better alternative, to break out of the silo. For more information about Cinedeck’s game-changing InsertEdit process, visit https://cinedeck.com/tech/facts-about-insert-edit/.

Read more at cinedeck.com

Your experts belong here

Every story in MarketScale Professional AV starts with a company putting its integrators, design engineers, and product specialists on the record. Buyers are already reading this topic. The only question is whose experts they find.

When a spec writer or facilities lead searches this category, your integrators are what they find instead of a competitor.

Book DemoSee how it works15 minutes, straight to a calendar.
B2B Weekly

The week in Professional AV, and sixteen other industries, every Monday.

Ten stories, one-line takes, five minutes. Free.

Professional AV: are you visible to AI?

Before they reach out, Professional AV buyers ask AI engines which vendors to trust. Explore how your experts, customers, and partners can become useful content for buyers and AI search.

Free Trial

You just read one Professional AV expert. Your company is full of them.

This article was produced through MarketScale. The same platform turns your integrators, design engineers, and product specialists into the articles, video, and social content Professional AV buyers are searching for. Start a free trial and see it with your own people. For qualifying companies, no credit card, no demo required.

NPS +73 · 1,000+ creators · 38+ countries

What your free trial includes

Hands-on access to the MarketScale platform
Media requests to your crowd, remote recording, AI writing tools
No demo required. No credit card.
For qualifying companies. Company confirmation required.

More Professional AV Insights

Amazon puts Alexa in a picture frame and a 16-inch wall display

Amazon puts Alexa in a picture frame and a 16-inch wall display

Amazon announced five Alexa devices on Oct. 28. The Alexa Photo Frame is a $199.99 10-inch screen built to look like an ordinary frame, and the Echo Show 16 is a 16-inch wall display with preorders from $499.99. Three of the five ship now. Amazon says the Echo Show line is up more than 25% year over year.

  • 01Alexa Photo Frame: $199.99 in black or $229 in wood, a 10-inch anti-glare screen synced to Amazon Photos, shipping as early as next week per Android Authority.
  • 02Echo Show 16: 16-inch display, nearly 40% thinner than the Show 15, preorders from $499.99 with $100 off; Android Authority reports shipping in the second half of December.
  • 03Echo Time ($199.99), Echo Dot ($99.99) and Echo Studio with Home Camera ($249.99) are available now.

Oct 30, 2026

AVIXA course maps lens-to-screen workflow for AV and broadcast

AVIXA course maps lens-to-screen workflow for AV and broadcast

AVIXA course covers lens-to-screen workflow with Diversified, EVS support.

  • 01A corporate studio held to a network control room's standards for reliability and timing needs staff who understand every step between the lens and the screen.
  • 02For training managers, the free preview is a practical first step before the full course.

Oct 29, 2026

Atlona's Omega 2 puts 4K video, USB and Ethernet on one Cat 6A cable

Atlona's Omega 2 puts 4K video, USB and Ethernet on one Cat 6A cable

TWICE reports that Atlona added Omega 2 to its Omega Series on Oct. 22, 2026. According to Atlona, the HDBaseT 3.0 lineup carries uncompressed 4K/60 4:4:4 video, USB 2.0 data and Gigabit Ethernet over a single Cat 6A cable at distances up to 330 feet. The company says presenters get one cable and integrators get fewer boxes behind the display.

  • 01Omega products shown in 2019 were rated for up to 330 feet. Atlona says Omega 2, which uses HDBaseT 3.0, moves uncompressed 4K/60 4:4:4 video plus USB 2.0 data and Gigabit Ethernet across a single Cat 6A cable for distances up to 330 feet.
  • 02On the AT-OME2-E2311 transmitter and AT-OME2-D2311 receiver, bi-directional Power over HDBaseT lets either end power the other, so the link runs on one power supply, according to TWICE. That could mean one fewer power supply to mount behind a display.
  • 03Two models, the AT-OME2-E2311 transmitter and the AT-OME2-D2311 receiver, are already available. Atlona expects the AT-OME2-E2321-WP wall plate and the AT-OME2-R2742 switcher to begin shipping in mid-November.

Oct 23, 2026

Explore More Professional AV Insights

Read more expert perspectives from across Professional AV.

Browse Professional AV Hub

For B2B teams

Your experts could be publishing here

Stories like this one run on content MarketScale captures from real practitioners. See how your team's expertise becomes coverage in Professional AV and beyond.

Book a Demo

Or call us. No forms required. We pick up. 214-945-2512