Skip to content
‹ Back to IndustriesProfessional AV

Typography Matters – Tips for Type in Digital SIgnage

Digital signage is a key to unlocking many doors. Better engagement, quick and simple information sharing, powerful wayfinding, and more are all at your fingertips – but only if you make the most of your innovative digital signage solutions with fonts that make best use of them. WHAT’S YOUR TYPE? SERIF & SANS-SERIF FONTS –…

This story was produced through MarketScale. See how Professional AV teams put it to work with Customer Stories & Case Studies.

·
Share
Typography Matters – Tips for Type in Digital SIgnage

Free workspace

Turn your Professional AV expertise into content.

Record interviews, organize footage, and write with AI on a free trial of the MarketScale platform for qualifying companies. No demo required, no credit card.

Try it Free

Digital signage is a key to unlocking many doors. Better engagement, quick and simple information sharing, powerful wayfinding, and more are all at your fingertips – but only if you make the most of your innovative digital signage solutions with fonts that make best use of them.

WHAT’S YOUR TYPE? SERIF & SANS-SERIF FONTS – it’s all in the name.

Serif fonts have small projections (called ““serifs””) that finish a stroke of a letter. Popular in print, and generally considered easy to read, as the serifs guide your eye to the next letter.

Sans-serif fonts do not have serifs at the end of a stroke. Popular in digital, as the clean lines of the letters are clear on a screen.

Sans-serif fonts have become the go-to for digital communications, as it’s thought sans-serif fonts display better in pixels with their cleaner edges, making them easier to read on screen. Serifs typically didn’t render well in the early days of computing, but new technologies have changed that, and serif fonts are starting to be utilized more on screen. Still, sans-serif seems to be the more preferred font type for digital communications, and ADA guidelines do require all important text on signage to be in a sans-serif font, and readability most likely is the reason.

FONT SIZE MATTERS – SCREENS & RESOLUTION & AUDIENCE – oh my!

There’s a few things to think about when trying to determine a good font size to use for your digital signage. Unfortunately, there’s no magic font size that works best for every layout, as digital screens vary in size and resolution. So how do you decide what font size to set?

Generally, it’s a safe bet that small text will most likely not be readable, as the audience for digital signs is usually a good distance away from the screen. Larger text is usually better and ensures your message gets out there.

Most applications use points as the unit of measure for text. When designing for print, designers know that 72 points is equal to one inch on paper – which means a font set to 72 points will be one inch in height when printed.

But digital layouts don’t use inches as a unit of measure, they use pixels. So how do you determine the size of the text in pixels?

POINTS TO PIXELS – a simple calculation.

If you want to figure out how high your text will be in pixels, there’s a simple formula you can use – multiply your font size by 0.722.

This formula gives you the height of your chosen font size in pixels in a standard one-to-one pixel ratio. If you’re designing for a final resolution of 1920 by 1080, a one-to-one ratio means your layout is also 1920 by 1080. But knowing how many pixels high your font will be can help you with your layout.

RESOLUTION – how many pixels are you dealing with?

Resolution is the number of pixels in an image. Standard HD screens have a resolution of 1920 by 1080 pixels, and this is a common layout size for digital signs.

Set your font size relative to your overall layout size, and remember — larger text is more readable.

KNOW YOUR AUDIENCE – make sure your message is seen.

Knowing your audience is important to ensuring your sign is readable and your message is heard. How far away are they? How big is the screen they are looking at? All are important factors to consider when trying to determine an appropriate font size.

TO CAPITALIZE OR NOT TO CAPITALIZE – USING CASING EFFECTIVELY – does it make a difference?

Studies have shown that all uppercase lettering reduced reading times by as much as 20%. Other studies have shown all uppercase lettering is easier to read. So what do you do? If you want to use all uppercase text, go for it! Just be conservative, and use it for text shorter than one line, such as headlines or labels and dates. It will stand out and provide the impact you’re looking for.

FONTS, FONTS EVERYWHERE – BUT NOT IN YOUR LAYOUTS – keep the number of fonts to 2, 3 max.

Try to limit the number of fonts you use to two, three max. Using more will result in unnecessary visual clutter and a less readable sign. Try using a sans-serif for headings and a serif for body, or use different weights of the same typeface.

LESS IS MORE – KEEP IT SIMPLE – reduce clutter in your copy.

It doesn’t take a paragraph to say what you could communicate in one sentence.

Follow us on social media for the latest updates in B2B!

Twitter – @MarketScale

Facebook – facebook.com/marketscale

LinkedIn – linkedin.com/company/marketscale

Your experts belong here

Every story in MarketScale Professional AV starts with a company putting its integrators, design engineers, and product specialists on the record. Buyers are already reading this topic. The only question is whose experts they find.

When a spec writer or facilities lead searches this category, your integrators are what they find instead of a competitor.

Book DemoSee how it works15 minutes, straight to a calendar.
B2B Weekly

The week in Professional AV, and sixteen other industries, every Monday.

Ten stories, one-line takes, five minutes. Free.

Professional AV: are you visible to AI?

Before they reach out, Professional AV buyers ask AI engines which vendors to trust. Explore how your experts, customers, and partners can become useful content for buyers and AI search.

Free Trial

You just read one Professional AV expert. Your company is full of them.

This article was produced through MarketScale. The same platform turns your integrators, design engineers, and product specialists into the articles, video, and social content Professional AV buyers are searching for. Start a free trial and see it with your own people. For qualifying companies, no credit card, no demo required.

NPS +73 · 1,000+ creators · 38+ countries

What your free trial includes

Hands-on access to the MarketScale platform
Media requests to your crowd, remote recording, AI writing tools
No demo required. No credit card.
For qualifying companies. Company confirmation required.

More Professional AV Insights

Clear-Com Arcadia is the intercom hub at a Łódź skills centre running Dante and NETGEAR

Clear-Com Arcadia is the intercom hub at a Łódź skills centre running Dante and NETGEAR

Clear-Com's Arcadia Central Station is the central production communications hub at Łódź's Sectoral Skills Centre for Recording and Sound Reinforcement, connecting studios, control rooms, lecture rooms and other areas. The building's infrastructure is based on NETGEAR AV Series switches and a Dante Audio-over-IP network. Students get hands-on experience with wired, wireless and IP-based intercom workflows.

  • 01The Łódź centre's network runs on NETGEAR AV Series switches with Dante audio-over-IP, which Commercial Audio's CTO said made Clear-Com an ideal fit.

Oct 6, 2026

Telefónica fits its new Madrid broadcast monitoring room with an 11.4-meter Alfalite LED wall

Telefónica fits its new Madrid broadcast monitoring room with an 11.4-meter Alfalite LED wall

Telefónica Servicios Audiovisuales has commissioned an 11.4-meter Alfalite UHD Finepix 1.2 LED wall for a new TSAmediaHUB monitoring room in Aravaca, Madrid. Servers feed it over NDI, so sources can be distributed centrally and layouts adapted to the needs of each operation.

  • 01Fed over NDI video-over-IP, Telefónica's Aravaca wall makes the arrangement of broadcast feeds a server setting that can be adapted for each operation.

Oct 3, 2026

Transcoding moves to the cloud. Intercom, tally and shading stay at the venue

Transcoding moves to the cloud. Intercom, tally and shading stay at the venue

Vendors draw the same line: transcoding and graphics move to the cloud, while intercom, tally and camera shading stay on site. Riedel says the connection back to on-site talent, cameras, tally and IFB can still undermine the production or the business case. Hybrid looks like where things settle.

  • 01Dillon’s analysis suggests hybrid cloud-plus-venue production is where things settle, making on-site hardware for latency-bound work a long-term facility plan item.
  • 02Interoperability standards such as SMPTE ST 2110 and NMOS handle the plumbing. The question to put to vendors now is how their systems provision, configure, tear down and monitor services alongside other vendors' gear.

Oct 1, 2026

Explore More Professional AV Insights

Read more expert perspectives from across Professional AV.

Browse Professional AV Hub

For B2B teams

Your experts could be publishing here

Stories like this one run on content MarketScale captures from real practitioners. See how your team's expertise becomes coverage in Professional AV and beyond.

Book a Demo

Or call us. No forms required. We pick up. 214-945-2512