In this article, we examine visualizing light through photography — and how it can make you a better cinematographer and filmmaker.
When I first started out in filmmaking, I had little to no interest in still photography. I wanted to tell stories with moving pictures, not still pictures. Frankly, I wasn’t very good at still photography either. For years, I brushed off photography as something I wasn’t interested in. However, recently I’ve found still photography to be one of the best means to continually grow as a filmmaker, storyteller, and cinematographer.
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