We’ve all got our frame rate habits, but all film and video projects are different, so one size does not fit all. Here are a few elements to consider.
I’m not the only shooter who instinctively sets their frame rate to 120 fps when arriving at an epic location. It’s easy. It’s beautiful. It’s . . . lazy?
After being an avid user of that frame rate for over a year, I’ve changed my approach, diversified my selections, and found new beauty in limiting myself to other frame rates like 24, 60, and . . . get ready for it . . . 950.
Here’s why I began diversifying.
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